NOW, THERE
IS INVISIBLE ART
It is not everyday that I have a good laugh in the
morning after reading the morning newspapers, but today I did have one and a
hearty one at that. The saturday edition of the Chennai Times on page seven
carried an article with the headlines ‘Now, there is Invisible art’. I showed
it to my daughter and her instant reaction was “oh! like the Emperor’s new
clothes”. My God, how true!
“It actually looks like the gallery just got robbed,
but don’t get taken in by that. Empty sculpture stands and canvasses are the
main attractions of a new genre of art that’s there by not being there – and
it’s called Invisible art! And it’s shaking up the culture world for sure.”
I am not an art critic or an intellectual who can
decipher something out of nothing. My first reaction was “what a whole lot of
crap!”. Then I sat down to digest what was written and found immense
possibilities for lesser mortals like me. Immediately I imagined myself giving
a musical performance on stage with an imaginary flute playing imaginary music,
a music that was not there, but is there. You cannot call it a mime because a
mime does convey a message through the movements representing a concrete event.
How will you interpret whether I am playing raag Bagesri or raag Yaman. Of
course I leave it to your imagination and you have the liberty to imagine
whichever raag pleases you. Wonderful is’nt it? And wow! I get paid for it, and
all I have to know is how a flute is to be held while playing it, or maybe even
that is not necessary, I can just make an announvement that it is a flute
recital. Imagine how Hariprasad Chaurasia would feel, he may have to reinvent
his whole repertoire.
It gave me some pleasure to read the reaction of the
Indian art fraternity, I sounded credible enough in my views to see their
description of this as “an eggless egg curry” and who will buy these things
they cannot see”.
You see they were speaking for the Indian Art scene.
But consider this, “Come June, a stark white canvas will be displayed at the
Hayward Gallery in London
in a first- of- its- kind show that explores invisibility and emptiness. And its
not cheap either, as invisible art is said to fetch upto US$10,000”. Also its
director is quoted as having said that “it leaves so much to your imagination. There
is a lot of invisible art out there, there is a lot of art you’re never going
to see”. My God you are never going to see what you want to see, so how does it
matter so long as you pay for the experience.
But it was what an Indian Art curator is reported to
have said that really made me hit the ceiling, with laughter of course, he called
it as an amalgamation of science and imagination “Its about an art work. We
definitely need galleries and museums of the future, after all we have so many
brilliant artists. Its high time India had a space to show Invisible
art.” He is also reported to have said that it is about paying respect, he adds
that taste cannot be taught and that we need more awareness on this subject. You
see I can understand, he was just doing his job.
If I may borrow an analogy something I have heard in
the past and which was quoted by my wife when I showed her this article was – a
person was staring at a blank canvas wondering why there was nothing on the
canvas, the artist who was standing next to him explained to him that it was
the painting of a cow eating grass. When asked where was the grass he replied
that it had been eaten by the cow, and where was the cow, it had gone away
after eating the grass. Wonderful, need I say anything further.
You see, I of course am an ignoramus on this subject
and so I say things as they come to my mind. I do not weigh the pros and cons. But
I understand what a con means. For me art is from the heart and not from the mind.
I still belong to the old school and am still overwhelmed by the old masters.
Hegel in his ‘The Phenomenology of the Spirit’ says
that the understanding of any aspect of human life must be concerned with its
history, its evolution, its genesis, or its roots, rather than with the
empirical observation. So also art is an offshoot of the evolution of the human
mind, which has passed various stages in the history of mankind. So we see the
development from the prehistoric to Renaissance, Classicism, Realism,
Romanticism, Impressionism, Expressionism, Cubism, Surrealism to Modernism and
various movements. If one follows their development, one can see the themes
varying from the religious to forms of
intense self expression moving away from the biblical, to representations of
nature in all its glory, to subjective impressions, to distortion of reality to
enhance the emotional effect. Of course art has now become so subjective that
it is difficult to comprehend what the artist is conveying.
Subjective representation can be very powerful as
can be seen from the expressionistic paintings of Van Gogh and Edvard Munch. The
distorted realities of Picasso or the symbolic paintings of surrealist painters
like Salvador Dali. With the advent of modernism the subjectivity becomes so
intense that it is in a sense incomprehensible at least to me. Though I cannot
understand the paintings of the abstract expressionist Jackson Pollock, I saw
the movie ‘Pollock’ starring Ed Harris and liked it. He brings out the neurotic
behaviour of the artist so well that one can feel this neurosis on the canvas. One
can at least discern a pattern and understand the artist.
So where does this take us. We have a new art
movement and maybe we can call it ‘Invisibilism’. This explores invisibility and
emptiness or is it nothingness, Sartre must be
turning in his grave.
Finally I am
reminded of what Van Gogh said, "And
my aim in my life is to make pictures and drawings, as many and as well as I
can; then, at the end of my life, I hope to pass away, looking back with love
and tender regret, and thinking, 'Oh, the pictures I might have made!". We
may have to modify that and with due apologies to Van Gogh say “ oh! why did I have
to undergo all this agony of painting all these pictures, I could have left
blank canvasses instead.”
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