A TRIBUTE TO MS SUBBULAKSHMI
This
is a daunting task for one who has not had a formal training in music, does not
know the grammar and generally cannot engage himself on a discussion on the
nuances, movements etc. etc. which are the attributes of a music critic. For me
it is simply a question of whether the music appeals to me or not, not whether
it is good or bad for I am no judge. So I write what I feel and share it with
my friends and this is my tribute to a great musician.
21st
September 2013 was a special evening arranged at the Kalakshetra, Chennai, to
pay tribute to one of India ’s
greatest musicians – ‘MS’ as she is fondly called. The programme called
‘Miradasi–A tribute to MS Subbulakshmi’, consisted of a selection of hindi
bhajans sung by MS and made famous by her. Apart from the superb rendering of
the Bhajans by the young artists, the evening was brought alive by the
introduction and narration at the beginning of each bhajan by Gowri Ramnarayan
a grand niece of MS. She recalled those episodes from her childhood, memories
of the time spent by her at MS’s home. What was special is that the music was
composed by R.Vaidyanathan also known as Remaji by his followers. Very few
people know who he was, but his compositions speak of a musical genius who
never really bothered to hit the centre stage. While writing this I was never
really sure whether I was writing this as a tribute to MS or Remaji. But both
combined have given us all those soul stirring bhajans which even today lift us
to those ecstatic heights of Bhakti. I have tried to highlight here certain
very enlightening portions of the narration in a bid to understand both the
musician and the music composer and what goes in to the making of great music
in taking us on a transcendental experience.
It
was in 1947 a week before Gandhiji’s birthday that a request was made by him
that he wanted to hear his favourite Mira bhajan ‘Hari Tum Haro’ to be sung by
MS. As she did not know the song and it was too short a time for a proper
composition and also it was inconvenient for her to go to Delhi due to some personal matters, she had
to decline politely. But since Gandhiji wanted to listen to the bhajan in MS’s
voice only, it was recorded at Madras at AIR and
the spool was sent to Delhi
and his wish was fulfilled. It was only later she learnt that Gandhiji had said
“Her voice is exceedingly sweet. To sing a bhajan is one thing; to sing it by
losing oneself in God is quite different”. Pained by the violence unleashed at
the time of partition and feeling depressed Gandhi wanted this bhajan only in
which Mira pleads to her lord to remove the sufferings of his slaves.
But
it is the effort that went into the music composition which brings out the
genius of the music composer. It was an all night recording session as Vaidyanathan
set it to music and for MS to learn and record it immediately. The song was
composed in the raag Darbari Kaanada which expresses pathos as well as
grandeur.
From
an article in ‘The Hindu’ written by one of his disciples Meera Grimes we get a
glimpse of the person Vaidyanathan was. She says-
“With
all his rare attributes, Remaji chose to be anonymous. He was a person with many dimensions. He was a philosopher,
musician, scientist, administrator and much more. He preferred to keep a low
profile and hence, the world knows little or nothing about him. However, he had
a group of disciples, who benefited immensely from his association in terms of
spiritual solace. Vaidyanathan, born in 1913, in Chennai, was a prodigy in
music, but was trained to be a scientist in physics. An alumnus of the Presidency College ,
Chennai, he went to Cambridge ,
England , to
study the atom under Lord Rutherford (in fact the narrator said that he was a
contemporary of Nobel Laureate S.Chandrasekhar and Dr. Homi Bhabha)”. After
what he calls a spiritual awakening, he decided to call it a day and returned
back to India
to pursue his interest in music and spirituality. He evolved a philosophy that
embraced all faiths. He was adept in playing the piano, flute and the violin
and in western and Indian classical music- both Carnatic and Hindustani. In the
words of his disciple “He used his musical knowledge just to get shelter and
food. He used his leisure to do his research to find the cause of human
suffering and a solution. But then he was not a well-known philosopher either.
The answer is, he wanted all or nothing and nothing in between and he stood by
his principle until the end, even in very trying situations.” He passed away in
Amritsar in the
year 1990 at the age of seventy seven.
Coming back to the bhajans, I have
listened to them sung by MS herself. There could not have been a better person
to render the compositions of those great souls – Surdas, Tulsidas, Kabir and
Mira, so filled with fervour and love for the divine. Music knows no boundaries
or barriers, this is amply demonstrated by the fact that one of the bhajans was
composed by Ras Khan, who a muslim by birth settled down in Brindavan and
became a devotee of Krishna . I have had the
occasion of attending some concerts of MS earlier in my life and the one image
that keeps recurring in my memory is of her rendering these songs with her eyes
closed, oblivious of what surrounded her, as if she was totally lost in the
fervour of the composition and seeking communion with the Divine, in the
process also transporting us to ephemeral heights. At the end of the concert
one always left with a sense of elation, call it spiritual or by any other
name, for during that entire period all your existential angst was pushed to
the background and you felt that after all this life was worth living. You
realise that music not only breaks down the barriers separating our different
personalities but teaches us to be humble, accepting and a total surrender to
the creator. The concept of total surrender to the divine or God as we call may
not be acceptable to many of us. But total surrender here should be understood
as a total erasing out of the ego. Humility is a result of this and this is
what makes us genuine, for when this is present, we will not feel the necessity
for wearing a mask. MS was always a picture of humility both in her manners and
the conduct of her life.